
She, like the child in Billie Holiday's "God Bless The Child", has got her own.
- Kymyarda
Croomes
This Week On Okinawa/1997
Powerful.
Riveting. Sultry. Mere words can only capture the refrain of
her awesome talent. Maria Howell is much more. She is the ballad of beauty
and elegance. The melodies flowing from the petite vocalist are truly amazing.
While casting a spellbinding smile, she mesmerizes her captive audience with
incredible harmonies and rhythms.
Howell's
signature film performance as the choir soloist in "The Color Purple" was
quoted by one critic as being "one of the most stirring moments!" Her rendition
of "God Is Trying to Tell You Something" was memorable for all who saw it,
but the offerings of the all-grown-up Maria are truly unforgettable, eliciting
stirring moments, one after another.
Some
may be inspired to call her a "best kept secret", but anyone who leaves an
imprint on every medium from radio, stage and television to the Hollywood
screen is hardly incognito. Howell's talent has been featured as a nightclub
singer in "The Young Indiana Jones Chronicles" as well as other roles on the
small screen such as in "Linda" alongside master performers Richard Thomas
("The Waltons") and Virginia Madsen ("Sideways") and in "Scattered Dreams"
with Tyne Daly ("Judging Amy") and Alicia Silverstone ("Clueless" and "Beauty
Shop". Her credibility as a true thespian flourished when she nailed a coveted
role as the daughter of Maya Angelou's character in Langston Hughes' "Tambourines
to Glory" stage play.
Although
acting was a learned craft that has become more refined with each new role,
singing and entertaining are skills that emanated from Howell as far back
as she can remember. She recollects glaring at her six-year-old image in the
mirror and knowing at that moment her destiny was clear. The destiny became
a reality as she wowed audiences as the opening act for the legendary Ray
Charles, and as she shared the stage with Earth Wind and Fire's point man
Phillip Bailey. Performing with the likes of Nancy Wilson, Marvin Hamlisch,
and George Benson became her comfort zone - a zone with overlapping genres.
Anyone who swings with the Cab Calloway Orchestra, croons with Baby Face and
rearranges the scale with Jeffrey Osborne can not ought not be
boxed into one musical art form.
Like
Howell, her music is a collective soul, smooth, not eclectic. She not only
combines sounds such as R&B with jazzy punctuations, she evokes an international
flavor into her flambé of recordings. Her first CD, "Peace of Mind," was
produced while her celebrity was peaking in Japan . She followed up with another
CD shortly after with a U.S. favorite, "Same Old Story." Both sets of recordings
have romantic overtones, but marinated with opportunities for toe tappin'
and finger snappin'. Confident in her own groove, Howell shares the spotlight
with several Atlanta artists in her latest compilation, "Acoustically Yours."
Over the course of her career, Howell has availed her illustrious voice to
TV and radio commercials for prominent corporations like Haverty's Furniture
and Bell South.
In
the near future, Howell hopes to use her voice in a more philanthropic spirit.
She has an affinity for connecting with children who aspire to "their own
unique greatness." Her drive to shape our youth is commensurate with her acting
ambitions. She'd like to star in films that are reminiscent of the times when
families would gather to watch poignant documentaries and movies like "Roots."
She is also interested in uniting her talents with animation. Not only does
she love this variety of film, she understands that an animated movie is a
masterful way to gain a child's undivided attention.
...And
that offering up another novel "Howellistic" melody is a way to keep ours.